Saturday, January 2, 2010

Sony Cyber-shot WX1 Review


Sony Cyber-shot WX1 Review

Point and shoot digital cameras have come a long way in the past decade - most are now capable of capturing high quality images outdoors in good light. But digital cameras generally don't do as well in low-light situations, indoors, and after dark. Digital images shot in low light environments often show lots of noise and display flat, dull colors. Sony's new Cyber-shot DSC-WX1 was designed to change that.

The WX1 utilizes an innovative new back-illuminated CMOS sensor that Sony claims will capture sharper, more detailed images in low/dim lighting - images with less noise and more vibrant colors than those shot with standard CMOS and CCD sensors.

Standard front-illuminated CMOS sensors are constructed so that light (after passing through the lens) must then pass through a metal wiring grid before striking the light-sensitive pixel receptors. Consequently, some light is lost. Back-illuminated sensors position the wiring grid beneath the light sensitive pixel receptors - increasing light gathering capability by up to 200% over traditional CMOS sensors. This makes the diminutive WX1 a superb tool for capturing images in available light environments - an especially useful ability indoors, after dark, and in poor weather.

BUILD AND DESIGN

Design-wise the WX1's main claim to fame is its innovative Exmor R CMOS sensor, which works hand-in-glove with Sony's new faster Bionz processor and Super SteadyShot optical image stabilization system to produce high quality images in dimly-lit shooting venues. The metal-alloy bodied WX1 appears to be robustly built and seems tough enough to stand up to typical wear and tear.

The "minimalist" look WX1 is an attractive (my test unit was black with silver trim) little digicam - diminutive, quite thin, and easily pocketable. The WX1 supports Memory Stick Pro Duo image storage media and provides 11MB of built-in memory.

Ergonomics and Controls

The svelte (0.75 inches thick) lozenge-shaped WX1 looks similar to just about every other ultra-compact "thin" digicam out there. It's comfortable to use over long periods and it feels solid in the hand. The WX1 is a pocketable digital camera that can easily be taken along everywhere the user goes. Sony's newest Cyber-shot is an auto exposure only digital camera with no manual exposure capability, however the WX1 does permit some user input into the image making process.

Even though the camera selects the aperture and shutter speed (in Program mode) users can manipulate sensitivity (ISO), white balance, and exposure compensation. The WX1's flat body is smooth with no protrusions - meaning no handgrip or thumbrest - so keeping the wrist strap looped around your hand when using the camera is probably a good idea.

The WX1 is a small camera, but the control array/user interface does not seem busy or cluttered. Dedicated controls have been kept to the minimum. All controls are logically placed and come easily to hand for right-handed shooters. The WX1's on/off switch is too small and often requires a second push to power up or power down the camera.

The compass switch (4-way controller) is also a bit too small and gives off a fiddly tactile feel - which doesn't inspire confidence (especially for users with large fingers) in its responsiveness. The mode dial is located in the exact spot where most right-handed shooters will rest their thumb when shooting (and the mode dial is easily turned) meaning users will have to suffer through occasional accidental mode changes.

I like the placement of the menu and review button, and both functioned exactly as expected. The delete button is also conveniently placed - but users can't immediately delete an image - images can only be deleted in review mode.

Menus and Modes
The WX1's menu system is logical, user-friendly, and fairly easy to navigate, but it isn't as simple in use as most of the competition. The reasonably large 2.7 inch LCD and sensible font size make reading the various menus painless. The WX1's playback menu provides a nifty Retouch mode allowing users to crop and sharpen captured images.

Here's a breakdown of the WX1's shooting modes:

* Easy: Point-and-shoot mode - the camera selects all exposure parameters - coupled to Sony's Intelligent Scene Recognition (Backlight, Backlight Portrait, Twilight, Twilight Portrait, Twilight with tripod, Portrait, Landscape, or Macro) technology to optimize camera settings for the specific scene (and conditions) in front of the camera and displays basic advice/useful information on the LCD.
* Intelligent Auto: Auto exposure incorporating Intelligent Scene Recognition plus Burst mode, EV compensation, Smile Detection and Face Detection options, and Red Eye Reduction. Sony's Intelligent Scene Recognition technology (available in Easy and iAuto modes) provides users with two options - Auto or Advanced. The Auto setting captures one exposure with optimized settings while the Advanced setting captures one exposure identical to the auto setting and a second exposure with an alternate set of optimized settings.
* Program: The camera selects exposure parameters, but allows substantial creative input - users control sensitivity (ISO), white balance, metering, focus, image stabilization on/off, and exposure compensation.
* Scene: High sensitivity, soft snap (blurs the background), landscape, twilight portrait, twilight, gourmet, pet, beach, snow, fireworks, underwater.
* Hand-held Twilight: The camera captures up to six exposures and then combines them - via pixel matching - to create a composite image with minimal noise.
* Anti-motion blur: Similar to Hand-held Twilight, except the camera captures up to six exposures at the highest practical shutter speed and the highest practical sensitivity (up to ISO 3200) and then combines them - via pixel matching - to create a composite image to freeze motion.
* Sweep Panorama: This shooting mode doesn't have a dedicated position on the mode dial - users must decide first whether the panorama they want to shoot is horizontal or vertical and whether it goes from left to right or from right to left - then just press the shutter button and sweep the camera in a half circle arc and the WX1 will combine all the captured exposures into a single seamless extra wide panorama.
* Dynamic Range Optimizer: The DRO mode (menu enabled) is designed to improve shadow detail and contrast in images captured in difficult lighting. There are three options: Off, Standard (D-R), and Advanced [D-R+). I tried DRO a couple of times and didn't notice any obvious differences - in my opinion judicious use of the Exposure Compensation function will accomplish more dependable (and predictable) results.
* Movie: The WX1's Movie mode captures HD (High Definition) and Standard Definition video clips - 1280x720 Fine (720p), 1280x720 Standard, and VGA (640 x 480) all at 30fps (with monaural audio). The 5x zoom can be used during video capture. Users also control White Balance, Sensitivity, Metering, DRO, and Image Stabilization settings in video capture mode.

Display/Viewfinder
Like most currently available point and shoots, the WX1 doesn't provide an optical viewfinder - so the LCD must be used for all framing and composition, image review, and menu access. The WX1's 2.7 inch wide-viewing angle LCD is relatively sharp (230k pixels), fairly bright, and fluid, but colors displayed on the LCD (in review mode) are not the colors you'll see when reviewing the images on your monitor.

The differences are not major, but saved images (when seen on your computer monitor) will have more intense colors than those seen on the LCD. The WX1's info display provides all the data most of the camera's users are likely to need. The LCD gains up (automatically increases brightness) in dim lighting and can be adjusted to the individual shooters' brightness preferences.

PERFORMANCE
I have no complaints with the WX1's performance. I shot pictures with the pocket-sized camera in a variety of low light environments including indoors, outdoors after dark, and in gloomy weather with heavily overcast skies. The WX1 consistently and dependably captures very good images in poor lighting. On the other side of the equation, the WX1 doesn't manage bright outdoor lighting with the same level of efficacy - sometimes burning out highlights. There are also some minor (and infrequent) auto white balance anomalies that negatively affect color accuracy.

The WX1 is very quick and consistently comes in at (or very near) the top of the list speedwise - noticeably quicker than most of its competition. Shutter lag is 0.01 seconds. AF Acquisition is a very snappy 0.26 seconds. The WX1's continuous shooting mode (which allows users to capture several images in quick succession) is 11.4 fps.

Shot-to-shot intervals were impressive at about 1.5 seconds and the WX1 moves its 5x zoom from the wide angle setting to the end of the telephoto range in under 2 seconds. Flash recycle time is 5 seconds (after a full-power discharge).

Shooting Performance
The WX1 provides two Image Stabilization options - first via Sony's optical SteadyShot IS which functions by quickly and precisely shifting a lens element in the 5x zoom to compensate for camera movement during exposure. Digital Image Stabilization boosts sensitivity (up to ISO 3200) and increases shutter speed to help freeze subject movement during exposure.

The WX1's contrast detection Intelligent Auto Focus system provides center-weighted AF, multi (9) AF point Auto Focus, and Spot AF. AF is consistently very quick and dependably accurate. Most Point and Shoot systems provide quick and accurate auto focus outdoors in good light - the WX1 does them one better and provides quick and accurate AF indoors and in poor light as well.

The WX1's built-in multi mode Flash provides a fairly standard set of external lighting options including Auto, Forced On, Forced Off, and Slow Synch. The Red-Eye Reduction option must be accessed via the Main menu. Sony claims the maximum flash range is (at the wide angle setting) about 16.4 feet at auto ISO.

The WX1 is powered by a Sony NP-FG1 3.6 volt InfoLITHIUM G - Lithium-ion battery. Sony claims the battery is good for 350 exposures. It's very difficult for me to keep track of the number of exposures I shoot because I do a lot of shoot, review, delete, and re-shoot, but I only had to charge the battery twice in two weeks of fairly heavy shooting so the numbers seem pretty accurate to me.

Lens Performance
Most ultra-compact digicams sport 3x zooms, so one of the nicest features of the WX1 is its very good and slightly faster than average f/2.4- f5.9 4.25mm-21.25mm (equivalent to 24mm -120mm) 5x Sony "G" (6 elements in 5 groups, including 5 aspheric elements) zoom. The WX1 starts at the equivalent of 24mm - which is impressive, since most ultra-compact digicams zooms start at around 35mm to 38mm.

When the camera is powered up, the lens automatically telescopes out of the camera body. When the camera is powered down the lens is fully retracted into the camera body and a built-in iris style lens cover protects the front element. Center sharpness is pretty good overall, but at the wide-angle end of the zoom corners are slightly soft. I didn't notice any vignetting (dark corners) and flare is remarkably well controlled.

Barrel distortion (straight lines bowing out from the center) is very well controlled - check out the Moorish Mausoleum sample image. I shot that image at the 24mm (equivalent) setting and while there is some visible distortion at the edges of the frame, it isn't egregious at all. Pincushion distortion (straight lines bowing in toward the center) at the telephoto end of the zoom is also very well controlled.

Contrast is very good at the wide end of the zoom, but at the telephoto end of the zoom contrast and sharpness are slightly lower. The WX1 doesn't provide a dedicated Macro Mode - minimum focusing distance is 1.9 inches - so this is not a best choice camera for those who like to shoot bugs and flowers. I counted eleven steps in the 5x zoom range. Zooming is smooth, silent, and very quick.

Video Quality
The WX1 really shines in movie mode - 1280x720 fine (720p) at 30fps (9 MBps bit rate) with monaural audio and you can use the 5x zoom in video capture mode. Maximum video duration is up to 29 minutes (about 2GB). Users can also record 1280x720 (720p) at 30fps (6 MBps bit rate) video in the standard HD mode and at 640x480 at 30fps in the VGA mode.

Sony doesn't include an HDMI video cable, so you'll have to pony up an extra forty bucks to watch HD video on your wide-screen TV. The sample video (of Louisville's famous cookie lady in action) was shot in a dimly lit old building - so not only can you use the zoom while filming, but you can also utilize all the WX1's low light capabilities, enable Image Stabilization, adjust white balance, and manipulate the exposure compensation function.

Image Quality
Outdoors the WX1 (like most compact digital cameras) does a very nice job - image quality is dependably very good to excellent. Exposures are dependably accurate, but there is a slight tendency toward over exposure and burned out highlights. Indoor image quality is excellent - equal to or better than anything currently available.

The WX1 provides an impressive selection of white balance options including: Auto, Daylight, Cloudy, Fluorescent, Fluorescent 2, Fluorescent 3, Incandescent, Flash, Underwater 1, Underwater 2, and One Push White Balance (the WX1's ONLY manual control) which allows users to manually calibrate WB with a white or gray card.

The WX1's auto white balance mode was generally very accurate, however in a couple of cases I came up with some inaccurate colors. Check out the two WB demo images below - the daylight WB setting produced the more accurate color. The WX1's default color interpolation is actually pretty close to neutral - unlike most of its competition.

Noise levels are quite reasonable up to ISO 800, but noise levels increase noticeably at ISO 1600 and ISO 3200. Low light image quality is the WX1's main claim to fame and this camera offers users unprecedented (for a P&S digicam) automatic noise management. Colors are hue accurate and chromatic aberration (purple fringing) is very well controlled at both ends of the zoom.

CONCLUSIONS
I really enjoyed using the WX1 and I captured some interesting images with it, but I also found the camera a bit frustrating - it sometimes appears to have been designed by a committee. On the one hand, the WX1 provides a lot of nifty features that were clearly added to appeal to more advanced shooters - it has a very good zoom that starts at a wide angle equivalent of 24mm, a manual White Balance mode, a 720p video mode, and enhanced low light shooting capabilities.

On the other hand, the camera is auto exposure only (which limits user input into the creative process), it has no optical viewfinder and, unlike similar digicams from other manufacturers, doesn't provide direct access (via shortcut menu) to the most commonly changed/adjusted camera settings and functions like white balance, sensitivity, and exposure compensation. The WX1 is also ultra-compact, easy to use, has loads of neat features, and it's stylish in a minimalist sort of way - all reasons why it should appeal to casual photographers and snap-shooters.

Pros:

* Impressive noise management
* Excellent 5x zoom
* 720p movie mode

Cons:

* Slight tendency toward over-exposure
* No direct access to the most commonly changed/adjusted camera settings and functions

(Source: digitalcamerareview.com)

Wednesday, December 23, 2009

Sony Cyber-shot DSC-W180

Sony Cyber-shot DSC-W180 review



Sony's Cyber-shot DSC-W180 is a largely automatic compact digital camera for people who want something that's simple to use and easy to carry in a pocket. It has a 10.3-megapixel CCD sensor, a 2.7in LCD screen, and a 3x zoom lens (35-105mm, 35mm equivalent).

The Sony Cyber-shot DSC-W180 is 92mm long, 54mm high and 19mm deep. It has a sparse array of controls on its rear (two buttons, a zoom control and a 5-way menu controller), and this is in keeping with what you can do with the camera. That is to say: not much (you can't change the shutter or aperture values yourself).

It does have a Program Auto mode, though, in which you can change the ISO speed and white balance for yourself. But changing settings isn't the point of this camera. It's designed to be a 'no fuss' camera that's easy for anyone to use. The Sony Cyber-shot DSC-W180 even has on-screen descriptions for its shooting modes (for example, it will tell you that macro mode is useful for focusing on very close objects).

Camera reviews and digital photography advice

A sliding switch on the rear of the unit, which puts the camera in shooting, playback or video mode, sits just below the zoom buttons. There is plenty of room for your thumb to the left of the switch and this makes the Sony Cyber-shot DSC-W180 comfortable to hold in a conventional fashion, and it means you won't be inadvertently pressing any settings buttons.

The menu button sits just below the thumb position. You need to refer to the menu if you want to change the shooting mode. You can select from Auto, Program Auto and from one of seven scene modes.

We used the Sony Cyber-shot DSC-W180 in auto mode for most of our tests, as we think this is the way most people will use the camera. In this shooting mode, the camera produced pictures that were vibrant and well detailed.

When scrutinised at the their full resolution, the pictures looked feathered and soft, so you won't want to crop them too close if you decide to edit them on your computer. When viewed at the native resolution of a 22in monitor (1680x1024), for example, the pictures looked very well defined. You'll get well defined prints up to A4 size.

Colours were a little on the rich side, but this isn't an overly bad thing as it made our photos look quite vibrant. The camera struggled a little when taking photos in bright sunlight: it slightly underexposed many of our shots. On a typical day, with some cloud cover, it produced well-balanced colours and brightness.

Blue skies, in particular, came out vibrant and images had plenty of contrast.

For close-ups, the Sony Cyber-shot DSC-W180's macro mode is very useful. You can't focus closer than 5cm from your subject as, which is a slight drawback; 5cm is still nice and close and you will end up with a narrow depth of field and a nicely blurred background.

Macro mode produced some well rendered shots, with good clarity.

In low-light conditions the camera will use a slow shutter speed, but the built-in image stabilisation helps. We took relatively clear photos even at a shutter speed of 1/8th of a second. The Program Auto mode allows you to bump up the ISO speed, but not by much - it only goes up to ISO 400. Pictures become more feathered at ISO 400. This is very noticeable when you view your photos at their full size.

Shot-to-shot speed isn't a highlight of the Cyber-shot DSC-W180, as it takes a couple of seconds to process each shot before letting you take the next shot. This can be frustrating. It takes approximately three seconds for the camera to be ready to shoot from the moment you switch it on.

The focusing performance of the camera was a little off in dark conditions, but it was fast and accurate when there was plenty of light. More often that not, it focused on the object we intended and not a background object. It also has face detection and a smile shutter. It detects faces with ease, but the sensitivity of its smile shutter often confused frowns for smiles. (You can adjust the smile shutter, however.)

At £120, the Sony Cyber-shot DSC-W180 is good value if you want a small camera that can take vibrant photos with reasonably good clarity. Just don't buy this camera thinking it will give you super-crisp photos that you can print at A3 size. The main disadvantage of this camera is that it uses Memory Stick Duo storage instead of a more common SD card.

Specifications

Sensor type: 1/2.3in CCD;
10.3Mp;
3x optical zoom;
lens aperture range: 3.1-5.6;
105mm zoom (telephoto);
ISO 100, 200, 400;
optical image stabilisation;
Maximum shutter speed: 1/2000;
built-in flash; Auto Flash, Flash Off, Forced Flash, Slow Sync;
Auto, Program mode;
Supported memory media: Memory Stick Pro Duo;
USB 2.0, Video out;
93.4x18.7x54.5mm;
0.14kg

Verdict

The Sony Cyber-shot DSC-W180 digital camera is small and easy to use, and it produces decent quality snaps for printing at up to A4. But it's a little slow, it doesn't always focus properly in low-light conditions, and it uses Memory Stick Pro Duo instead of SD storage.

(Source: digitalcamerareview.com)

Canon PowerShot S90

Canon PowerShot S90 Review



The Canon PowerShot S90 is the latest of the "S" series point and shoot cameras that Canon created in 1999 when they released the PowerShot S10. The S10 had more features, better construction and better image quality than Canon's other small digital cameras. The "S" series continued for several years, gathering a reputation for sophistication, through the S80 in 2005. Then Canon stopped releasing them; it appeared that the "S" series was at an end. However, over the past year there were rumors that Canon was bringing back the "S" with an innovative small camera optimized for low light performance. The result was the PowerShot S90.

As it turns out, the S90 is good in low light, for a non-DSLR camera, and packs in plenty of other interesting innovations. It has the same 10 megapixel 1/1.7 inch sensor as the PowerShot G11, which DCR's reviewer, Jim Keenan, recently stated produced the best image quality of any compact digital camera he'd ever reviewed. Hopefully this is an additional sign that camera manufacturers have decided that it's time to end the megapixel race, at least as far as Point and Shoot cameras are concerned.

The PowerShot S90 is also equipped with a very fast f/2.0 lens - fast than the f/2.8 maximum aperture of most high quality Point and Shoot cameras, including the G11. Theoretically, this means the S90 can shoot at lower ISOs in dim conditions. It has Canon's latest DIGIC IV processor. It also has an interesting control ring around its 3.8x zoom lens, can shoot in RAW, and has manual exposure controls including aperture and shutter priority. While the S90 is fairly expensive for a Point and Shoot camera, it's priced less than the G11. Let's take a closer look at this interesting and innovative little camera.

BUILD AND DESIGN

The Canon PowerShot S90 is a fairly small camera with a smooth finish that makes it easy to slide in and out of a pocket or a purse. It has a combination metal/plastic exterior that feels pretty solid. It measures 3.9x2.3x1.2 inches and it weighs 6.17 ounces - not an ultracompact, but comfortable to carry.



The bottom of the camera contains a metal tripod mount and a sliding plastic door to the memory card/battery compartment. Separate compartments for the HDMI and A/V ports are located on one side and covered by sturdy plastic latches. I get the impression the S90 would survive a few drops (though you really don't want to drop a fine, expensive camera like this now, do you?). The camera comes in black only.



Ergonomics and Controls

The S90 is fairly heavy for its size. While its 1.2 inch width and thumb rest at the rear makes it possible to get a good grip, its surface is slippery, so it's not a camera you'd want to shoot with one hand.



At first glance the S90 looks very simple. Its front is smooth and uncluttered, without a visible flash. Around the lens is a control ring that users can assign one of many different shooting functions. Next to the lens is the auto focus assist lamp and a pinhole for the microphone. The top of the camera contains a pop-up flash, which, when set to auto, will pop up when the camera's processor believes it to be required. The flash can also be set to always off or always on. The top also contains the on/off button, the shutter button with wraparound zoom control, a circular selector dial and a button called "ring function" which enables you to assign functions to the lens control ring.

The rear of the S90 is largely taken up by its 3.0 inch LCD. To the right of the screen is a four-way circular control panel that also has a control ring around it. Pressing up accesses exposure compensation, right the flash controls, down the self-timer and delete (in photo review mode) and left the camera's macro mode. The function/set button in the center of the panel accepts menu selections and brings up the function shortcut menu. Around the panel there are buttons for displaying information on the LCD, activating the menu, printing images and reviewing photos and movies. The rear of the camera also contains the speaker and thumb rest.



Canon provides a comprehensive 179 page user guide. While I don't mind looking at a user guide on the computer, it's comforting to have a paper copy with you while out taking pictures, especially when you're just getting to know your camera.

Menus and Modes

The S90 uses Canon's two menu system - a main menu accessed by the menu button and a shortcut menu accessed by the function/set button. The main menu contains of three columns - one for shooting settings, one for camera settings, and one for any individual menu settings you choose to register. The function shortcut menu contains numerous options. You can opt to have the menu choices accompanied by a brief explanation.

The top circular selector dial interacts with the menu system, with different menu options becoming available depending on the mode selected by the dial. Here are the shooting modes available to users of the PowerShot S90:

Auto: The camera chooses from 22 variables including scene modes, "i Contrast" (contrast compensation), servo AF (which keeps focus adjusted on moving objects), face detection and continuous optical image stabilization.
Program: Once you are in program mode, pressing the function/set button will allow you to access a menu containing many shooting functions such as light metering, white balance, ISO, drive modes (such as continuous shooting), image recording size (including RAW mode), exposure and focus bracketing and Canon's "my colors" mode, which lets you make numerous adjustments to the color.
Tv (Shutter Priority): This allows the user to set the shutter speed (from 15 seconds to 1/1600 second) while the camera selects what it considers to be the appropriate aperture value. When in this mode the shutter speed is adjusted by the lens control ring.
Av (Aperture Priority): This allows the user to set the aperture value (from f/2.0 to f/8.0) while the camera selects what it considers to be the appropriate shutter speed. In this mode, the aperture value is adjusted by the lens control ring.
M (Manual): This allows the user control over all the camera's functions including shutter speed and aperture value.
C (Custom): This allows use of your registered menu settings.
Movie: When in this mode, you can choose to record at 640x480 and 320x200, both at 30 frames per second. You can incorporate color accent and color swap features into your movies as well. Maximum movie length is an hour with a maximum recording size of 4GB. Canon recommends a class 4 SDHC memory card.
Scene: This allows 18 scene modes, including stitch assist for making panoramas, "color accent," "color swap," and "nostalgia" in which colors are faded.
Low Light: Canon recommends using this for candlelit or similarly lit scenes, with the camera automatically setting a low shutter speed and high ISO, up to 12,800 (lowering the resolution to 1824x1368 pixels, about 3 megapixels).

Display/Viewfinder

The S90 has a 3.0 inch LCD with very high resolution (461,000 dots) that can be adjusted to five brightness levels. The screen is bright, colorful, sharp, and fluid. In case you couldn't tell - I really enjoyed using it. The S90 does not provide a viewfinder.



PERFORMANCE

The PowerShot S90 is a fine camera in every respect, with quick and responsive performance, excellent image quality outdoors and very good image quality indoors as well. It's a very appealing camera to those who want close to DSLR image quality in a small, pocketable package.

My only qualm about the S90 is that its optical zoom is very limited. With many very good compact ultrazoom cameras available, from Canon and others, equipped with 10x and 12x optical zooms, why should a consumer settle for a compact camera with only 3.8x optical zoom that's considerably more expensive? A shorter zoom range could mean better control over lens distortions, so keep reading to see if the trade for a smaller zoom pays off.

Shooting Performance

The S90 starts up and shuts down in only a second or two. There's about a three second delay between pictures, but after 15 consecutive shots the camera did not stop to write to the memory card. As shown in the table below, the S90's shutter lag (press-to-capture, pre-focused) was 0.02 seconds, or virtually non-existent.

Its auto focus acquisition (press-to-capture, no pre-focus) was 0.53 seconds, about average for a Point and Shoot camera. The S90 is slow in continuous shooting mode, managing only 1 frame per second, but the number of pictures it can take in that mode is limited only by the memory card capacity.

Shutter Lag (press-to-capture, pre-focused)

Camera Time (seconds)
Fujifilm FinePix F70EXR 0.01
Canon PowerShot S90 0.02
Kodak EasyShare Z915 0.05
Nikon Coolpix S620 0.07

AF Acquisition (press-to-capture, no pre-focus)

Camera Time (seconds)
Nikon Coolpix S620 0.28
Fujifilm FinePix F70EXR 0.42
Canon PowerShot S90 0.53
Kodak EasyShare Z915 0.94
Continuous Shooting

Camera Frames Framerate
Fujifilm FinePix F70EXR 3 2.6 fps
Nikon Coolpix S620 3 1.7 fps
Kodak EasyShare Z915 3 1.6 fps
Canon PowerShot S90 ∞ 1.0 fps

The S90 has a fairly powerful flash. Canon specifies a range of 1.6-21 ft. (50cm-6.5m) at wide angle and I found this to be the case. The flash can be set to auto, flash on, flash off and slow synchro, which slows shutter speed to brighten the background. The menu also has a setting for red eye reduction, which uses the auto focus assist lamp. I found flash recharge time to be short, not more than five seconds.

The S90 uses the NB-6LD rechargeable lithium-ion battery which Canon says should last for 220 shots. After shooting 154 photos and four videos the battery still had plenty of life.

Lens Performance

The S90 uses a Canon lens with a focal length of 6.0-22.5mm , f/2.0-4.9 (35mm equivalent: 28-105mm). The lens can focus as close as 2.0 inches (5cm) in macro mode. Lens sharpness is very good, with only minor softness in the corners. I noticed a small amount of chromatic aberration.



I also observed minor barrel distortion at wide angle and pincushion distortion at maximum zoom.





Video Quality

The S90 records movies at two resolutions, 640x480 and 320x200, both at 30 frames per second. The movies are smooth with good color. While optical zoom isn't available in movie mode, I found that digital zoom did a good job. It's kind of surprising that Canon did not include HD capability, considering the relatively high cost and overall quality of the camera. Quality of the lower-res video capture, however, is very good.

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Image Quality

The S90 produced some very good images - sharp with strong colors. Contrast was good with infrequent overexposure in strong light, which is a problem with most Point and Shoot cameras. Even indoors the camera performed well and I enjoyed being able to take pictures in low light situations without having to use the flash.





The PowerShot S90 has white balance settings for auto, daylight, cloudy, tungsten, fluorescent, fluorescent H, flash, underwater and a user-defined custom. I mostly used auto white balance though occasionally I found that auto was a bit yellow under incandescent light and used the tungsten setting.


Auto White Balance, 3200k incandescent light

Exposure bracketing is available if the lighting is tricky and you're not sure whether the camera is exposing the photo correctly.





Image quality is very good through 400 ISO, with some softness present at 800 ISO and more at 1600 ISO, though I found pictures at 1600 ISO to be very usable. There's a slight flattening of color up through ISO 1600, but not so much that small prints at the higher ISO settings can't be used.




It's important to emphasize that since the S90 has a maximum aperture of f/2.0 it will be able to take photos at lower ISOs than other Point and Shoot cameras.

CONCLUSIONS

I enjoyed taking pictures with the PowerShot S90. It takes excellent photos outdoors and very good pictures indoors as well. It has a high quality lens with minimal distortion. Leaving the flash off in most low light shooting situations was another bonus. It features excellent build quality and is quick and responsive.

Canon's smart auto mode works well, but the S90 has so many options it won't be long before most users migrate to its program and manual modes. The lens control ring may seem like a gimmick but it does make it easier to fine tune your shots once you take the camera out of auto mode.

I would have liked more optical zoom, and I'm surprised that Canon did not include HD movie capability. However, that doesn't take away from the fact that the S90 is an excellent point and shoot camera - one of the best around.

Pros:

Compact size
Excellent build quality
Very good images
Fast lens

Cons:

Not much optical zoom
No HD movie mode

(Source: digitalcamerareview.com)